Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Carl Wilck
Portrait des Barons Rohrscheidt

ID: 79812

Johann Carl Wilck Portrait des Barons Rohrscheidt
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Johann Carl Wilck Portrait des Barons Rohrscheidt


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Johann Carl Wilck

Johann Carl Wilck (1772 - 1819)  Related Paintings of Johann Carl Wilck :. | Notre Dame, and the Son in St. John's Nepomuk | WHitby from Scotch Head | Portrat eines jungen Mannes | Expulsion - Moon and Firelight | Flowers in a vase |
Related Artists:
Otto Bache
1739-1927
Morgan, Evelyn De
English, 1855-1919 Painter, wife of William De Morgan. She was a pupil of her uncle, the painter Roddam Spencer Stanhope. In 1873-5 she attended the Slade School of Art, London. While there, she was awarded a Slade scholarship entitling her to financial assistance for three years. The scholarship required that she draw in charcoal from the nude, but she eventually declined it because she did not wish to continue working in this technique, although she excelled in it. She was influenced by the work of the Pre-Raphaelite artists and became a follower of Burne-Jones. In 1877 she first exhibited at the Grosvenor Gallery, London, and continued to show there thereafter. From 1875 she spent several winters in Florence working and studying; some of her work is reminiscent of Botticelli, possibly because of her visits to Florence. She often depicted women in unfamiliar ways though in a manner more in tune with a female perspective.
Carel Fabritus
1622-1654 Dutch Carel Fabritus Locations Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro.






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